Sharing Stories in Moose Jaw

As a university instructor, it’s nice to switch things up and work with kids in elementary school. In Moose Jaw, I had a wonderful time getting to know a group of enthusiastic Grade 6 and 7 students at King George School.

MooseJaw_storymakingOne of my favourite sayings is “the shortest distance between two  people is a story” and it proved to be true, yet again, as we got to know one another through our stories. I stood back and watched as kids discovered details about their classmates’ lives and saw one another from new perspectives. They demonstrated empathy and were able to recognize similarities in their shared experiences.

One girl, new to the school, spent some time in a foster home and did  her story on singing as her hobby, which she says has helped her  through tough times. She narrates, “When I’m singing, I feel something that I’ve never felt before…  Even though I have really low self-esteem, my voice has always been something I love about myself.” Another girl did her story on moving to Canada from Ireland and included the detail of how funny she thought the name Moose Jaw was when she and her family first heard it. One boy did his story on building a garden in his backyard with his mother. He discovered his love for assembling wooden garden beds and growing vegetables. There were stories about BFFs, siblings and parents.

I tell the students in my workshops that good non-fiction stories almost always touch on a universal experience — one that the listener can relate to, or that incites the listener to look at their own experiences differently. These stories did just that.

Planting the Pallet Garden

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(photo credits: Kim Wilchynski)

Once the pallets were set in place, the Grade 1 & 2 classes of JH Moore set about planting the seeds they had sprouted the previous month, as well as new seeds from packets.

Low laying plants or ‘greens’ (such as lettuce, swiss char, spinach, beets, etc.) were planted in the horizontal pallets. Trailing or ‘vine’ plants (such as peas and beans) were planted in the vertical pallet planters.

 

Painting Tires

Painting tires by Karlie King Painting tires 3 by Karlie King Painting tires 2 by Karlie KingYesterday and today we are painting tires!

It’s been raining the last couple days that I went to Lashburn, so we haven’t been able to work on our vegetable garden as planned. So we changed our focus, moved indoors, and began painting tires in preparation for our tire planter garden.

But, first the students needed to learn some colour theory: primary colours, colour mixing, the colour wheel, cross-complimentary, etc

The Pallet Garden Takes Shape

The pallet garden at JH Moore School in Lashburn is coming together.  Despite the weather, we carried on in our endeavour June 6, 9, & 10.

First, we laid out the pallets on the front lawn and organized them according to colour, shape, and wood type.  Then, after watching a demonstration on how to turn the pallet into a planter the students broke off into groups of four or five and began to emulate the demonstration they just witnessed.  The lessons learned in this simple demonstration and reenactment were many–simple things like how to lift, how to hammer, how to measure, how to cooperate, and so on.

I’m guessing the students would say the highlight of this phase of the garden was hammering.  They were thrilled to learn and ‘be allowed to’ use this hand tool.  So enthralled were they with this aspect of the project that the slight hail storm went virtually unnoticed.

In terms of intangible culture, I underestimated the significance of things like hammering.  A few of the students had held a hammer before, had struck a nail.  Most, however, had never done such things.  In terms of heritage, where would we be without ‘hammering’?  Many, if not all, of the heritage buildings on our prairies (old barns and farm houses) were constructed by hand.  And the early fences that shape and define this province, they too were constructed with hammer in hand.

Bearing this in mind, it gave me a strange feeling of nostalgia to watch these youth eagerly learn to hammer.  To try and try again without frustration, to strike that tiny spoke of metal.

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Karlie King: A Note on Intangible Culture

When I tell people about the Lashburn School Garden, many ask “What does that have to do with art?” And while I do think there is an art to gardening, I divert the question to “intangible culture”.

During our Animateur Orientation, it was put forth that this year we might turn our focus to Intangible Culture — the invisible ‘stuff’ that makes up the visible, touchable ‘stuff’ of culture.

So, now the dialogue with students looks something like this:

I ask “What is Culture?”
They answer by giving me every example under the sun, but never actually define it.
I tell them they are all correct and that “Everything is Culture.”
I add the metaphor of a fish swimming in water. “Does it know it’s swimming in water?  No. Just like you don’t know you are swimming in your own Culture.”
And now I further add “And how do the examples of Culture you provided come to be?” … “Who braided your hair this morning? How do they know how to braid?” … “Those home made cookies you have in your lunchbox? Who made them? Where did they get that recipe?” … “Who here knows how to ride a horse, or take care of a horse?  Now how did you learn that?”

… And this is my segue into gardening. “How many of you have a garden at home?” 90% of the class raise their hands. “Who tends the garden?” They tell me. “Do they take an instruction manual?” A resounding “No.” “Well, then how do they know what they are doing?  How do they walk out to garden patch and know what they are doing?”

And the light bulbs go off. I see a glimmer of understanding in their eyes…. That! is Intangible Culture.

I further this discussion with the students by telling them that for the duration of this project (and hopefully henceforth) they are going to start collecting Gardening Wisdom. They are going to start talking to the gardeners in their family and ask them for any ‘tips” that will help with the success of our garden.

I then supply a few examples from my (albeit limited) experience with gardening. I tell them about a second cousin (who is an incredible farmer) who only seeds by the moon. He suggests planting seeds on full moon, not because of the light (as most presume) but because of the full moon’s potential for drawing water to the surface of the earth. I tell them about the little old lady who took one look at my garden and asked “Where are the flowers? You need flowers so the pollinators come.” I tell them about the ‘three sisters’: how the First Nation people of Southern States have always grown corn, beans, and squash together.  They do this because as the corn grows the beans wrap themselves around the stalk and flourish from the corn’s strength, and the squash spreads at the ground’s surface to protect the soil and plants from dehydration. I reiterate that certain plants like growing together and others do not. And we need to know this kind of information. So they need to ask the gardeners in their families.

We’ve started to collect these pearls wisdom on recipe cards, and I imagine that with time we will have quite the arsenal of Gardening Wisdom.

I end this conversation with the students of Lashburn by reiterating that we really are a Gardening Culture. “If I was in downtown Toronto,” I query, “how many kids would put up their hands when I ask who has a garden?” Not very many I suspect.

Although I think it is a right to be able to grow one’s own food, to have access to fresh, untampered pesticide-herbicide free food, it is fast becoming a privilege more than a right in this world.  So I remind the students how important this is, that we preserve the Intangible Culture of Gardening.

Yarn Bombing: A Family Affair

Todayphoto-5 photo-6 I taught 28 students how to knit.

The Grade 8 and 9 Home Ec students of Waldheim School are learning to knit and crochet so that they can yarn-bomb the trees that line the front of their school.

They are to pick a tree on school property and invite a friend and/or family member (who knows how to knit and crochet) to join them in this endeavour. These small groups of yarn bombers will be meeting regularly throughout the summer so as to practice their knitting and crocheting, and to make ‘blocks’ in preparation for yarn-bombing.

 

Shekinah Art Adventure

For twenty-two years a group of approximately 15 – 20 female Textile Artists have been gathering one weekend a year (usually in the Qu’Appelle Valley) for an Art Retreat. They call it the Shekinah Art Adventure.

This year they gathered at the Edam Hunting Lodge around the last weekend of May. I attended the Retreat on Saturday and Sunday, and spoke to almost all of the ladies about Culture Days.

Many were interested in having their artistic craft skills included in Culture Days. Further, one lady was particularly interested in collaborating as soon as possible in preparation for said event. As is often the case, this lady is not limited to one ‘art world.’ She not only is a Fibre Artist she runs the North Battleford Community Theatre. So, Kevin might be getting a call too in the near future.

Meetings & Gatherings

Bonnie Mills-Midgely, Community Development Coordinator for the Rivers West DSCR, has invited me to a few of their meetings, and I must say these gatherings have been invaluable.

The first meeting was in North Battleford, on April 22. My contemporary, Kevin Power, was also in attendance.

The meeting was informal. We went around the room and introduced ourselves and spoke of what we hoped to garnish from the gathering. Both Kevin and I not only introduced SK Culture Days to the group, but we also got to speak about our own repertoire of capabilities, our hopes for Culture Days, and offered our services to those who were interested.

Again, this kind of networking is invaluable. Many at the meeting were unaware of the role that Animateurs play in SK Culture Days, and were happy and interested to hear of how we can facilitate the celebration of their communities. Some, surprisingly, did not know about Culture Days at all. While others were eager to provide their business card and book us for an event.

After attending a few of these meetings, I definitely suggest further attendance for future Animateurs. They are a great way to advertise, network, and ‘get things on the go!’photo-7

Art-i-tecture

Thursday, May 22, 2014

The anticipation ended this past Friday as I finally took the SaskScapes podcast on the road, with stops in Moose Jaw, Willowbunch, Rockglen and Gravelbourg. I drove across the prairies watching the unmistakable “big sky” … like a constantly evolving canvas on which the image is always changing…never the same twice.

What an amazing group of people I’ve met on this trip. And by the end of my visit in each town, I feel like I made new friends.

My jaw dropped as I pulled up in front of the Willowbunch museum. The 1914 structure is an anomaly against the backdrop of rolling hills and farms. It’s of grand proportion and a heritage gem. The museum board members care deeply about the preservation of the museum, and I thoroughly enjoyed our conversation together. Thank you Doris and Nicole!

It was a true family affair in Moose Jaw. Father Gus Froese, a painter with a successful career spanning a lifetime. His son Rob Froese, one of Saskatchewan’s most gifted potters. Rob’s partner Gabriela Garcia-Luna, a photographer whose work is like nothing I’ve seen before…a powerful, moving experience for me. All three artists kindly invited me to their studios. Prolific is the one word that comes to mind. Each surrounded by past works, and works in progress. The are three passionate, articulate, gentle souls. Thanks to Rob and Gabriela for hanging out with me under shelter during the torrential downpour after the interviews. The brilliant rainbow was the payoff. You’ll understand how I happened upon the “word” artitecture when you hear the podcast.

Rockglen was unforgettable. I’d not travelled that far south west before I was agog at the rolling hills which were more like foothills of a mountain range. A rare archeological find! Thanks to Dick Oakes for introducing me to the old railway station museum and the nature walk. And then their were my hosts; Jan Johnston and artist/musician Neil Jones. They opened their home to me, and invited 15 of their musician friends and had a house party in my honor. Jan and Neil created a concert series for bands traveling through the area as well as local musicians. They literally hold the series in their house – well, Neil’s studio to be exact. What a time we all had! And what would such an event be without a three hour power failure! Even that couldn’t stop the music. The sound system got turned off, and the remainder of the evening was an acoustic musical buffet! I slept soundly in the cozy room they made up for me. I can’t wait to post the podcast. I made some truly lasting friendships here. I even met the town’s “cowboy poet”.

I’ve really been looking forward to seeing Gravelbourg. It’s no wonder the town has been dubbed “the cultural gem of Saskatchewan”, and “little Europe”. I fell in love with the rich French heritage. Thanks to Louis Stringer for giving me a tour of the museum. Louis is a dynamic personality who cares deeply for Gravelbourg and its history. He is, to be brief, a walking history book. The museum is home to two floors of impressive artifacts and memorabilia from the early 20th century onward.

Then on the Renaissance Gaiety Theatre, another landmark, and home to the Gravelbourg community players.

Lynn Holmes and her group sat down on stage with me and poured out their love of drama, and their passion to keep theatre alive. I was especially impressed with the outreach they do with the senior population of the town. This is one caring and dedicated group of volunteers who have all come to drama on the heels of careers in other fields. This is their time to find their passion and they’ve done just that.

I have over 10 hours of recorded material from this trip and so beings the editing so that you can share the experience with me through the next several SaskScapes podcasts. In the meantime, the next journey is already being booked. More stories to tell and more friendships to make!

A School Garden

I stand to be corrected, but we may have a “SK First” here… all because of Culture Days.

Arising out of one of the meetings with Rivers West, Susan Plant, Principal of Lashburn Elementary School, called me and asked me to help her actualize a vision she has for her school.

She wants a School Garden.

There are two spaces surrounding the school that she wants transformed into gardens. At the front of the school is a large flat area that will be Vegetable Garden. Created by Students, Maintained by Students, Harvested by Students.
And at the entrance of the school there is a triangle patch that will be transformed into a colourful, bright, planter garden (using up-cycled materials).

I am not sure, but I think the Vegetable Garden may be a first. I have not heard of a Saskatchewan school having its very own garden (created, planted, maintained, and harvested by students). …. You should have seen the look on the students face when I told them they could come eat peas whenever they felt like it! A combo of surprise and delight.photo-8